Composer's Philosophy: The Interdependence Between Worldview and Writing Technique

Authors

Oksana ALEKSANDROVA Khavkiv National University of Arts named after I.P. Kotlyarevskyi https://orcid.org/0000-0001-5106-8644
Olexandra SAMOILENKO National Music Academy named after A.V. Nezhdanova https://orcid.org/0000-0002-2071-9587
Svitlana OSADCHA Odessa National Music Academy named after A.V. Nezhdanova https://orcid.org/0000-0002-0037-0787
Julia GRYBYNENKO Odessa National Music Academy named after A.V. Nezhdanova https://orcid.org/0000-0003-4891-5157
Anatoliy NOSULYA Odessa National Music Academy named after A.V. Nezhdanova https://orcid.org/0000-0002-3003-6472

DOI:

https://doi.org/10.24234/wisdom.v20i4.534

Keywords:

philosophy, composers, worldview, thinking, writing technique

Abstract

The composer?s philosophical thinking category is actually significant; a stable approach to the phe- nomenon under study has not developed to this day. This phenomenon is a complex socially conditioned mechanism of creativity, which entails understanding and clarifying several philosophical and cultural cat- egories, such as thinking, consciousness, worldview, style, writing technique, concept, cultural values. This research reveals the essence of such a phenomenon as the composer?s philosophy of thinking in the interdependence?s aspect of the worldview and writing technique. The fundamental approaches, methods and principles of research in composer?s philosophical thinking area formed the methodological basis of this scientific article. The manifestations of the composer?s thinking as an aspect of writing technique (thinking-writing) are considered. The philosophical type of worldview in the composer?s work has been substantiated, and the primary forms of their manifestation in the musical text have been determined.

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Author Biographies

Oksana ALEKSANDROVA, Khavkiv National University of Arts named after I.P. Kotlyarevskyi

PhD, Doctor of Science in Art History, Professor at the Department of Interpretology and Music Analysis at the Kharkiv National University of Arts named after I. P. Kotlyarevskyi, Kharkiv, Ukraine. Her areas of interest include philosophy, composers, worldview, thinking, writing technique. Oksana Aleksandrova is the author of 200 scientific articles.

Olexandra SAMOILENKO, National Music Academy named after A.V. Nezhdanova

PhD, Doctor of Science in Art History, Professor, Vice-Rector for Research at Odessa National Music Academy, named after A. V. Nezhdanova, Odessa, Ukraine. Her areas of interest include philosophy, composers, worldview, thinking, writing technique. Olexandra Samoilenko is the author of 100 scientific articles.

Svitlana OSADCHA, Odessa National Music Academy named after A.V. Nezhdanova

PhD, Doctor of Science in Art History, Professor at the Department of History of Music and Musical Ethnography of Odessa National Music Academy, named after A. V. Nezhdanova, Odessa, Ukraine. Her areas of interest include philosophy, composers, worldview, thinking, writing technique. Svitlana Osadcha is the author of 50 scientific articles.

Julia GRYBYNENKO, Odessa National Music Academy named after A.V. Nezhdanova

PhD in Art History, Associate Professor at the Department of History of Music and Musical Ethnography of Odessa National Music Academy, named after A. V. Nezhdanova, Odessa, Ukraine. Her areas of interest include philosophy, composers, worldview, thinking, writing technique. Julia Grybynenko is the author of 60 scientific articles.

Anatoliy NOSULYA, Odessa National Music Academy named after A.V. Nezhdanova

PhD in Art History, Associate Professor at the Department of Solo Singing, Odessa National Music Academy, named after A. V. Nezhdanova, Odessa, Ukraine. His areas of interest include philosophy, composers, worldview, thinking, writing technique. Anatoliy Nosulya is the author of 50 scientific articles.

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Published

2021-12-24

How to Cite

ALEKSANDROVA, O., SAMOILENKO, O., OSADCHA, S., GRYBYNENKO, J., & NOSULYA, A. (2021). Composer’s Philosophy: The Interdependence Between Worldview and Writing Technique. WISDOM, 20(4), 158–165. https://doi.org/10.24234/wisdom.v20i4.534

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Vol. 20 No. 4 (2021): 4-2021

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