Intertextuality of Yevgen Pluzhnyk's Poetic Legacy

Authors

DOI:

https://doi.org/10.24234/wisdom.v19i3.505

Keywords:

intertextuality, intertext, poetics, philosophy, reminiscence

Abstract

For understanding Y. Pluzhnyk’s poetry in the context of modern discourse, it is valuable to study the content of his lyrics in light of intertextual connections, which are presented in the article at the formal and semantic levels. It was determined that different intertextual forms reveal a functional dependence on the purpose underlying their introduction into the text by Y. Pluzhnyk (the illustrative charge, contrast, tho­ught reinforcement, delimiting observation, accumulation, etc.). The active use of various folkloric, mythological, artistic, and philosophical reminiscences transmits a distinctive repulsion from a known pattern for the sake of a new creative result. The presence of different intertextual types is a unique marker for the semantics embedded within Pluzhnyk’s text, which forms a circle that intertwines moods, worldview, and the author’s philosophy.

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Author Biographies

Oksana BILICHAK, Ivano-Frankivsk National Medical University

(PhD in Philology) is Lecturer of the Linguistics Department, Ivano-Frankivsk National Medical University, Ivano-Frankivsk, Ukraine. Her areas of interest include Ukrainian literature, theory of literature and philosophy. Bilichak is the author of 15 scientific articles. Recent publications: “Sourcebase Study of Y. Pluzhnyk’s Creative Work”, “The Intertextual Character of Pluzhnyk’s Poetry: Artistic-Philosophical Worldview”, “Symbolism of Main Images Dominants in Y. Pluzhnyk’s Poetry”.

Nina OSMAK, National Pedagogical Dragomanov University

(PhD in Philology) is Professor of the Department of Ukrainian Literature, National Pedagogical Dragomanov University, Kyiv, Ukraine. Her areas of interest include folklore, Ukrainian literature, theory of literature, philosophy. Osmak is the author of 3 monographs (co-authored), 7 text­books (co-authored) and 70 scientific articles. Recent publications: “Obrazy-symvoly muzychnykh instru­mentiv yak zasib khudozhn’oyi transformatsiyi arkhetypu pisni u poeziyi Oleksandra Olesya ta Hryts’ka Chuprynky”, “Mythology of Fire (Living Vatra) in the Story of Hnat Khotkevich Stone Soul”, “Individual Discourse of Emigration Prose by T. Borduliak following the Methodology of Modern Literature”.

Tetyana BYKOVA, National Pedagogical Dragomanov University

(PhD, Dr. of Science in Philology) is Professor of the Department of Ukrainian Lite­rature, National Pedagogical Dragomanov University, Kyiv, Ukraine. Her areas of interest include сom­parative studies, world and Ukrainian literature, theory of literature, philosophy. Bykova is the author of 1 individual monograph and 2 monographs (co-authored), 6 textbooks (co-authored) and 100 scientific articles. Recent publications: “Problems of National Education in the Works of Ukrainian Literature of the First Third of the Twentieth Century”, “Hutsulshchyna as Text Through Educational Problems in the Works of Ukraine Literature Beginning of the XX Century”.

Natalia SHEVEL, Bogomolets National Medical University

(PhD in Philology) is Associate Professor of the Ukrainistics Department, Bogomolets National Medical University, Kyiv, Ukraine. Her scientific interests involve Early Ukrainian Modernism, Ukrainian literature, history of Ukraine and Ukrainian culture, and philosophy. She has published over 55 scientific works. N. O. Shevel is a co-author of 12 scientific and methodological textbooks. Recent publi­cations: “The Phenomenon of Hrutsko Chuprynka’s National Individualism” (2019), “Origins of Formation of Modern Worldview in the Poetic Work of H. Chuprynka” (2020), “The Role of Interdisciplinary Integration in Teaching Humanities to Medical Students” (2020).

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Published

2021-09-25

How to Cite

BILICHAK, O., OSMAK, N., BYKOVA, T., & SHEVEL, N. (2021). Intertextuality of Yevgen Pluzhnyk’s Poetic Legacy. WISDOM, 19(3), 6–16. https://doi.org/10.24234/wisdom.v19i3.505

Issue

Vol. 19 No. 3 (2021): 3-2021

Section

Articles

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